Showing posts with label shopping list. Show all posts
Showing posts with label shopping list. Show all posts

Monday, January 25, 2010

My Dream (Realistically) Portable Field Recording Rig


After doing a post on the Broken Fader Review about a strange field recording of a pig being slaughtered, I began to dream of my own field recording rig so I can record bell towers and other random daily events of life I find worth while. Dude in this recording use the following signal chain- Sennheiser ME66 ($200ish shotgun mic capsule, about $450 for the whole device) + MKH30 (a $1300 shotgun mic) , Shure FP24 preamp ($850 battery powered pre), Edirol R09 recorder ($400).

Currently, my field recording set up is a laptop running it's battery, a Lexicon Lambda USB interface (it has phantom power) and a Audio Technica Pro 37. I really would like a portable hard disk recorder and a battery operated preamp, and as always a better mic (I probably will focus on getting a good studio condenser since I am addicted to many things and thus don't have much cabbage.)

Recorder Options

I want XLR ins (or minimum of 1/4"), phantom power would be nice. Both of these make the price jump like $200, so if I had a preamp that went into an 1/8" connecter, that would work (the pig slaughter ran an 1/8" into the recorder itself). So, maybe an 1/8" in may be the deal. Most have build in mics, but I like using outboard mics, cause that is how I roll.



Tascam DR-1- $250 New-

Edirol R-09HR- $300 New- this what was used in the slaughter recording

Marantz PMD620
- $400 New-


PreAmp Options

The main features I would need would be battery powered, with phantom, low noise, a relatively light, cause I will carry it around.

Sound Devices MP-1- $300 new- just a gain knob, which is what I like.

Whirlwind MD-1- $340 new- this has head phone monitoring and such

Denecke AD-20- $290 new- this one has a A/D converter with SPDIF out


Microphones

I doubt I will get a typical shotgun type video mic, but instead get a Neumann or something of that nature that I can use in my "typical" recording sessions (if you call noisey feedback electonrics discomboulations, or the random whacked out musicians that I take my rig over to "typical"). I will probably expand on this section at another time (it would take me 3 work days to list mics I want to buy for any reason). Or, if I really get into the field recording stuff, I will break down and get a stereo mic. Note- I will need a fake bird type wind screen!

The Vermont Folklife Centers Guide to Field Recording
- it has some honest reviews and tips for non audio people collecting field recording samples for research.

F7 Sound- Also has some good info from a guy using the Rode stereo mics-

A article on Ludwig Koch- he was an pioneer in animal and nature field recordings, and has Ludwig in his name, like the drum god and the mastering god.

Thursday, January 07, 2010

Mic Preamps



So, I got a cool recording gig coming up (I will go in depth once it pans out), and it will be a one mic in one room capturing some local singer song writer types (think of this in Cage's chance and environmental soundscaspes more than recording some hippy with a guitar). The point is to capture some quiet music and have the outsides and the house and the room all be a apart of this. So a friend of a friend asked if I would be into helping out so I said "damn right I am." The point is, I