This post has information I use and have stumbled across that deals with 2 track recordings, live recordings, and stereo mic technique. My go to choice for stereo is an ORTF set up (110 degrees, 17 cm), at least for live show captures.
Usual Suspects-
-Shure's Stereo Mics Basics- touches on all the basics, XY, MS, ORTF, NOS, ect.
-DPA article in PDF- also a good recourse and overview that is more in depth than the Shure article, touches on Blumein and Decca Tree too.
-A Printable ORTF pdf Template-
-SoS Article 1997- Part 01 and Part 02- This is a good theory based article called "Stereo Microphone Techniques Explained"
-SoS Article 2003-"a practical look at the pros and cons of coincident and spaced stereo miking techniques"
-SoS article from 1996- "First Steps In Direct-to-stereo Recording" and it mentions a cassette deck.
-Bruce Bartlett's Stereo Mic Book- You should buy this if your serious about getting the nitty gritty.
PZM- You can do some strange stuff with PZMs and some Plexiglas-
-A super scientist view on the PZM wedge-
-A cool PZM wedge tabla test-
-Some info on Mapleshade Records use of PZM-
-Tape Ops Board PZM post-
-Tapeop PZM article-
-Crown Soundgrabber II pdf-
-Crown PZM Applications pdf-
Forward thinking- Baffled, Vertical, and Dummy Heads
-Jecklin Disk-a baffled stereo pair
-Wiki-
- A gearslutz step by step with Pics-
-Gearslutz- Main article-
-Stichting Klankschap Tutorial in pdf- very detailed with good pics-
-Schneider Disk- a variation of a baffled spaced pair- with a sphere in the middle of the disc-
-Vertical Microphone Method- Make mono recordings with a stereo pair.
-Binaural head- DPA's DPA4060 and DPA4061, they say that is the jamz- and on the cheap-
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